Results for: Campolo

KNOW 40307: Seeing and Knowing

  • Course Level: Graduate
  • Department: Cinema and Media Studies, Art History
  • Year: 2019-20
  • Term: Spring
  • Tue 3:30pm-6:20pm
  • ARTH 40308, CHSS 40307, CMST 47007
  • Alex Campolo

The concept of visuality attends to the ways in which things become seeable, knowable, and governable. Scholars who study optical instruments, architecture, cinema, and media have done much to show us how visual technologies change our ways of seeing. Others in the history of science study how practices of observation transform our understanding of nature—and ourselves. 
This comparative course analyzes regimes of visuality in different cultural and historical contexts. After a short introduction on the philosophy of visual experience and psychology of visual perception, we will investigate a series of configurations of seeing and knowing. These sites range from the history of disability to contemporary climate science, and students will be asked to contribute visual topics from their own research or disciplines for collective exploration in our seminar. Through comparative study, we will work to develop new categories or relationships for linking perception and knowledge.

KNOW 22011: Data: History and Literature

  • Course Level: Graduate; undergraduate with permission
  • Department: Digital Studies of Language, Culture, and History, History, Philosophy, and Social Studies of Science and Medicine, Sociology, Committee on Conceptual and Historical Studies of Science, Social Thought, English, Public Policy Studies - Harris School
  • Year: 2020-21
  • Term: Autumn
  • Tue Thu 4:20-5:40 PM
  • DIGS 30016, SOCI 20518, SOCI 30518, PPHA 32011, ENGL 32011, SCTH 32011, HIPS 22011, CHSS 32011

Alexander Campolo, Anastasia Klimchynskaya

Data is a notion that seems to characterize our contemporary world. Digital revolutions, artificial intelligence, and new forms of management and governance all claim to be data-driven. This course traces the origins of these trends to the nineteenth century, when new statistical knowledges and literary traditions emerged. Moving across disciplinary boundaries, we will analyze the ways in which practices of observation and calculation produced data on populations, crime, and economies. Likewise, the literature of this period reflected the ways that data shaped subjective experience and cultural life: the rise of the detective novel transformed the world into a set of signs and data points to interpret, while Balzac's Human Comedy classified individuals into types. Drawing on these historical and humanistic perspectives, students will have the opportunity to measure and analyze their own lives in terms of data-as well as think critically about the effects of these knowledge practices.

This course fulfills the elective requirement for a new MAPSS concentration on the Formation of Knowledge 

Watch a trailer of the class here.

KNOW 36065: Classification as World-Making

  • Course Level:
  • Department:
  • Year: 2020-21
  • Term: Spring

Alexander Campolo

“To classify,” write Geoffrey Bowker and Susan Star, “is human.” There can be no doubt that classification sits at the heart of almost any form of knowledge production—arguably even thought itself. But what diversity hides under such atruism? This course will explore a set of exemplary fields in order to track genealogies and discontinuities in classificatory. We will begin with two philosophers, Aristotle and Kant, who stand as respective avatars of ancient and modern categorical thought. We will then proceed to sites where classification has flourished: the biological sciences which sought to capture the diversity of the living world; the social sciences—notably anthropology—which challenged the universality of Western cultural categories; and statistics or data science, which seek to understand numerical aggregates as categories. We will conclude by reflecting on the present explosion of digital techniques of classification, from social media algorithms to artificial intelligence, which structure more and more of our lives, often without human oversight. In this sense, classification is perhaps nonhuman as well. Moving between history, epistemology, and practice, this course will furnish students with a rich set of classificatory ideas that they can bring to their own research and disciplinary communities. Above all, it will ask students to account for both the construction and effects of categories, which are too often taken to be a neutral substrate of knowledge or conversely a means of imposing discipline on the wild diversity of the world.